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Yosh records an hour of thumping UKG, breaks and acid for the Fresh Kicks mix series, and chats to Oli Warwick about his life in the rave and finding his true sound

Yosh records an hour of thumping UKG, breaks and acid for the Fresh Kicks mix series, and chats to Oli Warwick about his life in the rave and finding his true sound

The long-running Japanese electronics brand appears to be back in the synth game

The video was posted on the DJ company’s Facebook page

Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum & bass and breakneck genre fusionism.

Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum & bass and breakneck genre fusionism. After a year that saw him launch a weekly A/V mix series and drop an impressive run of releases, he tells DJ Mag about how learning audio-visual skills sharpened his production scalpel, and how turntablism should be fun, not just technical

The classes will be hosted by Deaf Rave and Groove School

The Facebook event was created by DJ Jon Mancini

at the end of the day it's a game ov two halves really init

aya has dazzled the UK underground with her experimental club productions and genre-hopping DJ sets, which she demonstrates in her exhilarating “at the end of the day it's a game ov two halves really init” mix. The London-based, Huddersfield-raised artist also speaks to Sophie McNulty about how her creative upbringing in West Yorkshire informs her work, and how her hyper-detailed process allows her to create art that is genuine

Carlton Doom delivers a 60-minute mix of his own productions

In this week’s Fresh Kicks mix, Belfast’s very own Carlton Doom delivers a 60-minute archive of his own productions, in the form of intoxicating breaks, guttural techno and lo-fi sounds. He also chats to Amy Fielding about AVA Festival, clubbing at 15, and producing under an alias

Dealing in experimental sci-fi soundscapes as much as it does club bangers, Mexico City’s Infinite Machine has spent a decade at the cutting edge of dance music futurism. Alongside a mix of tracks from its catalogue by Galtier, founder Charlie Juarez discusses the label’s revered alumni, digital interconnectedness, and how it all started with screamo

Dealing in experimental sci-fi soundscapes as much as it does club bangers, Mexico City’s Infinite Machine has spent a decade at the cutting edge of dance music futurism. Alongside a mix of tracks from its catalogue by Galtier, founder Charlie Juarez discusses the label’s revered alumni, digital interconnectedness, and how it all started with screamo

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